The amalgam of styles that feature in the galleried compositions are wholly in tune with my persona on the given time I spend pouring the paint, moving the canvas, distorting the flow and forcing paints to resist, fracture and rebel against each other.
The resultant contortion provides for hidden imagery either in the reaction and bleeding of paint or on the focus of the negative space and the illusion under Ultraviolet light by simply teasing the senses when the lights are turned off.
All the compositions are dear to me but the freedom of expression and uncertainty are what excites me, the pictures are for that moment.